With Bated Breath Video

I’m proud to announce that a video and audio recording of one of my most recent collaborations with choreographer Alex Taylor has now been posted here. Titled With Bated Breath, this work was long in the making and both Alex and I are very proud of the final results.

Please read more about it on it’s own page, or you can just watch the video below.


With Bated Breath from Sam L. Richards on Vimeo.

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Beauty’s Birth Recording

The recording of Beauty’s Birth, a soprano duet I finished this spring based on a poem which I have referenced on this blog several times, is now posted on this page. My own program notes for the work are pasted below.

The profundity of this succinct and pithy poem written by my own father haunts me. I cannot walk through sand or hold my children without thinking of its lessons. It is here set to music, a soprano duet, for the occasion of Lucy Shelton’s spring 2010 residency at the University of Oregon. It bears a dedication to my son Beckett, born in January of the same year, and whose bones support both the shape of his beauty and his miraculous birth.

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A Return to Work (plus some family fun)

Considering that my last post was in April, I feel I have a bit of explaining to do. The composition of my graduate thesis at the University of Oregon, a large work for orchestra entitled Suite of Roads, absolutely consumed all of my time until about May 25th. Since then I have been working at a local garden nursery in Eugene and preparing for my family’s move to Ann Arbor, Michigan so that I can attend the University of Michigan in pursuit of my DMA (Doctor of Musical Arts).

In other words, my life has been ridiculously busy over the course of the past few months, but very productive. I have quite a bit of new music and projects that I have completed in the interim and I will be spreading the resulting posts out over the course of the next week and a half. For now, I thought I would share some joy from a game I used to play with my family as a child, and recently played just for kicks and giggles.

The game goes like this:

  1. Get a group of people, and sit in a circle. Each person needs a piece of paper and a pencil or pen.
  2. Fold each sheet of paper into four equally sized rows. Each section of the page will correspond to a portion of the bodies that will be drawn: head, arms and torso, legs, and feet.
  3. Everybody begins by drawing a head on the top row of the sheet. (In order to ensure the most hilarity it is best for each participant to cover their work). When everybody is finished with their heads, they proceed to draw two lines which extend from the body part that they have drawn (in this case it’s probably the top of the neck: two short lines) into the row beneath.
  4. The portion of the drawing that has just been completed is then folded back (so the next artist can’t see what your portion of the drawing looks like) and then passed to the next person in the circle. The only portion that they see is the two lines extending downward from the top of the page, and they can then proceed to connect the torso and draw their torso as they please.
  5. Proceed similarly until every portion of the body has been completed by a different person (with each artist not having a clue what the rest of the body looks like).
  6. Open up the folded sheets for riotous laughter to ensue.

Some examples from my own family’s recent efforts can be seen below. Click on them to see larger images. Zippideedoodahhh!

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Lucy Shelton Unaccompanied Workshop Concert Tonight!

Tonight @ 7pm in Beall Hall at the University of Oregon, my work, Beauty’s Birth, will be performed by Juliana Urban and Alli Bach as part of Lucy Shelton’s residency here as Trotter Visiting Professor. Although I won’t be able to make it to the concert myself, I can most certainly vouch for my own piece as well as all of the other works on the program. It should be a phenomenal and very diverse concert.

Come! See! Hear!

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Conglomerate

My favorite kind of rock is conglomerate. All sorts of stuff butted up against each other to make a unique whole. What a great aesthetic. Too much music assumes that to be of any import it must consist of a single type of rock within the conglomerate. “Can’t have too many ideas in one piece!” the tradition and its zealots shout from the rooftops. One thing that is certain about art (and science!) is that nobody possesses any authority; individuals can only possess perspectives or ideas that are more or less valuable or insightful.

“I was not influenced by composers as much as by natural objects and physical phenomena.”

—Edgard Varese

“Concepts that have proven useful in ordering things easily achieve such authority over us that we forget their earthly origins and accept them as unalterable givens. Thus they might come to be stamped as “necessities of thought,” “a priori givens,” etc. The path of scientific progress is often made impassable for a long time by such errors. Therefore it is by no means an idle game if we become practiced in analysing long-held commonplace concepts and showing the circumstances on which their justification and usefulness depend, and how they have grown up, individually, out of the givens of experience. Thus their excessive authority will be broken.”

— Alfred Einstein in an obituary for physicist and philosopher Ernst Mach, Physikalische Zeitschrift 17 (1916)

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Trees, Glorious Trees—Arbor Week Is Upon Us In Oregon

“Well, in Oregon we like to be different, so we set aside an entire week to honor trees. The Oregon State Legislature has decreed that the first full week of April shall be designated as Arbor Week.” Click repeatedly in the box below to generate some random arbor beauty.

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“Tangential” Performance at Conduit

I have finally edited and posted the video from a performance of my collaborative work Tangential with choreographer Valerie Ifill. The original work was premiered at Dance For a Reason in late January, but Val and I proceeded to create an extended and final version for Instrinsic Environment, a concert featured at Conduit Dance, Inc. in Portland.

Either click here or on the image above to view the performance.

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“with bated breath” Performance, This Friday @ 8pm

This Friday in the Dougherty Dance Theatre on the University of Oregon campus my work “with bated breath” will be featured along with choreography by Tiffany Alexandra Taylor. The work has been a collaborative process and has been a long time in the making, resulting in a 12-minute production—my longest collaborative choreographic work yet.

Winter Loft 2010
Friday, March 12th @ 8pm
Dougherty Dance Theatre
Gerlinger Annex, University of Oregon campus
Admission — $3 student/senior, $5 general admission

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“My Own” Performance at Conduit

Last weekend, on February 27th, two of my works were featured in Portland, one a premiere, at Intrinsic Environment: A dance and music collaboration. A video of My Own, with choreography by Valerie Ifill and Emily Baumann, can be found here.

A video of the other work, Tangential, which was an extended version of the piece premiered at Dance For A Reason at the Hult Center last month, will be posted soon.

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Intrinsic Environment, Tonight in Portland!!!

Tonight at Instrinsic Envirnonment: A dance and music collaboration two of my works will be performed along with choreography by Valerie Ifill: My Own, and Tangential. Choreography and music by my colleagues David C. Horton, Jeremy Schropp, and A.T. Moffett will also be on the program. Rehearsals last night looked great! Featured at Conduit Dance, Inc. The space is very intimate. Chamber dance. Beautiful.

Intrinsic Environment, Feb. 27th @ 8pm, Admission is $10
Conduit Dance, Inc.
918 SW Yamhill Avenue, Suite 401
Portland, OR 97205

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