Some of the music I wrote for A Glow Within Our Steps has been used in a film by Alexander Winder Lieberman along with Valerie Ifill, a longtime friend and choreographic collaborator. Called “Treading in the Mist,” you can check it out below or directly on Vimeo.
For now, however, let me bring an end to my blogging hiatus by posting a link to a full-length video of The Glow Within Our Steps, my doctoral dissertation. Lights, sound, video, choreography, immersive media, live musicians, mobile interactive light stands, octophonic sound installation . . . What more could one want?
The video below documents a public performance which took place within the installation space on May 1st, 2013. It highlights the work of choreographic collaborators Maxx Passion and Brittany Whitmoyer. The installation and performances were hosted by the Gallery in the Duderstadt Center on the campus of the University of Michigan. Program notes, written by myself, may be found below.
“In retrospect, my life has largely operated somewhere between two interdependent axioms. The first, after Heraclitus, is that the only thing that is real and true is change itself. The second is that meaning is made, not found.
Considering the proposition that change is the only constant, I value activities which manufacture meaning, thereby temporally fixing the fleeting moments of our lives by affording us the luxury of locking onto sentimentality in midst of an endless flux; I value the phenomenological emphasis on subjective experience as opposed to the ostensibly objective things which populate our experiences; I value events, rites, and rituals that transform the otherwise mundane into consecrated endeavors; I value the surface formality of activities because, in the end, it is only our instituted formalities which separate the ordinary from the extraordinary; I value the process of meaning making, because if we excel at generating meaning for ourselves, we can then craft and share unique meanings with those around us. Assuming control over meaning allows one to overflow with optimism in the face of struggle, to exert patience in trying times, or to express compassion as opposed to passing judgement. Making meaning in our human sociality requires an empathic imagination.
The Glow Within Our Steps explores this. Here is a gallery, in a building, but I have strived to make it something more. With invocations of light and darkness, sound and silence, flux and stasis, I have endeavored to highlight the contrasts of simple things in order to generate a psychological place for the profound. We fill this space with our own meanings, and, ultimately, our own experiences. We are the ones who are capable of transforming a vacuous space into a meaningful glowing place. There is a Glow Within Our Steps.”
I’ve added some electro-acoustic music to my music page, which was previously absent for no good reason. No good reason at all: Organic Gestures: Out of An Echo, Humming, and From the Porch. In fact, although I wrote and recorded these three pieces 5-6 years ago (2005-2006), I’m quite fond of them listening again some years later.
I will always be attracted to miniatures; expressing such a big world in such a little space is both a challenge and a pleasure. Each of these short pieces unfolds, in their own organic way, and then dissolves, dissipating their unique self-generated sense of immediate place into a larger sense of void and space.
I’m proud to announce that a video and audio recording of one of my most recent collaborations with choreographer Alex Taylor has now been posted here. Titled With Bated Breath, this work was long in the making and both Alex and I are very proud of the final results.
Please read more about it on it’s own page, or you can just watch the video below.