My article, “From Quotation, Through Collage, to Parody: Postmodernism’s Relationship with Its Past,” is now available in the latest issue of Perspectives of New Music (Vol. 53, No. 1). Check it out on JSTOR or in print at your local library.
“The Delicates Converge” is an electro-acoustic work that premiered at the Ann Arbor Chapter of the SEAMUS Annual Concert in the McIntosh Theatre, Ann Arbor, MI, November 10, 2012.
It is a movement from “Mono no aware” along with its counterpart “Sakura.”
On Oct. 22, 2015, Neil Thornock premiered my “. . .fleurs de son. . .” on the Brigham Young University carillon. Recording below:
UPDATE: My Birdsongs were honored with the “Audience Favorite” award at this concert. Along with an accompanying honorarium, the Salty Cricket Composers Collective has commissioned me to write a piano quartet to be featured on their “Living Masters” concert in 2016.
On Thursday, November 12, 2015, the Salty Cricket Composers Collective will be presenting “Belt Canto: Art Song Edition.” My Birdsongs will be featured on the concert and will be sung by vocalist Jordan Reynolds and accompanied by Christi Leman. The concert will be at the Urban Arts Gallery in Salt Lake City @ 7:30pm.
Until November 21st, you can hear my work accompanying artist Katie Payne’s installation at Writ & Vision, in downtown Provo, UT. “A Space for the Contemplation of Sacred Silence” is comprised of more than a dozen large white fabric panels with hand stitched embroidery. From the gallery’s website:
“To view this exhibit is to be immersed in it, to walk among and between the panels . . . and to contemplate the sacred silence it typifies.”